Ξενόγλωσσα

From a 150-year-old Portuguese estate to Norway’s Budsjord, last stop on one of the loneliest pilgrimage routes in the world, Angelika Taschen scours the European continent for the most beautiful places to rest your head. This updated guide from our Great Escapes series profiles each hotel through postcard-ready photography and key information including directions, contact details, and reading recommendations....

Most art historians agree that the modern art adventure first developed in the 1860s in Paris. A circle of painters, whom we now know as Impressionists, began painting pictures with rapid, loose brushwork. They turned to everyday street life for subjects, instead of overblown heroic scenes, and they escaped the power of the Salon by organizing their own independent exhibitions. After this first assault on the artistic establishment, there was no holding back. In a constant desire to challenge, innovate, and inspire, one modernist style supplanted the next: Symbolism, Exp...

From the first millennium BC onwards, Greek myths have been repeated in an inexhaustible series of variations and reinterpretations. Nowadays they can be found in film, television and computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed. Throughout, the author draws upon the latest research into ancient Greek story-telling, presenting the material in an attractive, accessible and authoritative style. With its lavish illustrations, detailed genealogical tables of gods and heroes, box features and ...

After Egon Schiele (1890-1918) freed himself from the shadow of his mentor and role model Gustav Klimt, he had just ten years to inscribe his signature style into the annals of modernity before the Spanish flu claimed his life. Being a child prodigy quite aware of his own genius and a passionate provocateur, this didn t prove to be too big a challenge. His haggard, overstretched figures, extreme depiction of sexuality and self-portraits, in which he staged himself with emaciated facial expressions bordering between brilliance and madness, had none of the decorative quali...

Britain’s most distinguished historian of ancient Greek art recounts what the Parthenon and its sculptures meant to the citizens of 5th-century BCE Athens....